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Technique: 'Guard/Butterfly/Bottom/Sweeps - Inverted Armbar Hook Sweep f...';
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Inverted Armbar from Butterfly, Inverted Armbar Hook Sweep from Butterfly
     

2 Part Technique - The opponent will commonly defend against your Inverted Armbar by pressuring forward and holding. His defense neutralizes your submission, but the moment flourishes a control to Hook Sweep the opponent.
Posted: 4503 days ago
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Double Elbow Control Hook Lift from Butterfly → Inverted Armbar from Butterfly → Hook Sweep from Inverted Armbar Escape
     

3 Part Lesson — Marcelo coaches Paul & Matheus through the Inverted Armbar: [I] When your opponent won't let you pummel for Double Underhooks from Butterfly, grip his elbows from the outside and launch him into the air overhead. When h...
Double Collar Control Hook Lift → Inverted Armbar → Inverted Armbar Sweep from Butterfly
     

3 Part Lesson — Marcelo outlines a painful elbow attack from Butterfly: [I] If your opponent is conservatively kneeling in front of your Seated Butterfly Guard, engage in an attack by grabbing onto both of his lapels and hoisting him u...
Inverted Armbar from Butterfly > Armbar from Inverted Armbar Escape
     

4 Part Lesson -- Marcelo applies his Udegatame from Butterfly: Pummel for Double Underhooks and Hood Lift your opponent so that he or she must post his or her hands on the mat to avoid danger. While still elevated on your shins, strike...
Power Underhook from Half Guard > Underhook & Head Control Bridge Sweep from Half Guard
     

2 Part Lesson -- Marcelo uses a tight clinching control or Shoulder-Clamp to sweep from Half Guard: If your opponent is creating posture and framing against your Underhook from Half Guard, you can switch for a stronger control by isola...
Frame Escape vs Double Under Control, Hook Sweep from Half Guard, Double Under Hooks vs Half Guard
     

2 Part Lesson -- Marcelo counterattacks heavy passing pressure from Double-Unders/Body-Lock: If your opponent is pressuring you with their shoulder to pass your Half Guard but they're keeping their hips too high, use their high center ...
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